Paris. Bibliothèque nationale de France, Département des manuscrits, Latin 6734

Digitisations

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IIIF collection

IIIF Manifests in this collection

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Participant

Bibliography

These bibliographical references have been processed and may include links to online versions.

  • BŒSPFLUG, François, ZAŁUSKA, Yolanta (2004), "Le prologue de l'Évangile selon saint Jean dans l'art médiéval (IXe - XIIIe siècle). L'image comme 'commentaire'", Folia Historiae Artium, n. s. t. 8-9-2003 (2004), p. 17-45, ici p. 23 (https://doi.org/10.11588/diglit.20620.6)
  • CASTALDI, Lucia (éd.), CHIESA, Paolo (éd.) (2005), La trasmissione dei testi latini del Medioevo : Te. Tra. 2, Firenze, SISMEL-Edizioni del Galluzzo (Millennio Medievale, 57), ici p. 196 (note n° 27)
  • CLEAVER, Laura (2016), Education in twelfth-century art and architecture : images of learning in Europe, c. 1100-1200, Woodbridge, Boydell Press, ici p. 96 (n. 40) (https://doi.org/10.1515/9781782046189)
  • CURSCHMANN, Michael (2010), "Levels of Meaning and Degrees of Viewer Participation : Inscribed Imagery in Twelfth- Century Manuscripts", dans HECK, Christian (éd.), Qu'est-ce que nommer ? L'image légendée entre monde monastique et pensée scolastique, Turnhout, Brepols (Les études du RILMA, 1), p. 89-99, ici p. 98
  • FLINT, Valerie Irene Jane (1995), "Honorius Augustodunensis of Regensburg", dans GEARY, Patrick J. (éd.), MEWS, Constant J., FLINT, Valerie Irene Jane, Authors of the Middle Ages. Volume II : Historical and Religious Writers of the Latin West, Aldershot, p. 89-183, ici p. 143 (note 182) (https://www.taylorfrancis.com/chapters/mono/10.4324/9781315261911-6)
  • LEWIS, Suzanne (1995), Reading Images. Narrative Discourse and Reception in the Thirteenth-Century Illuminated Apocalypse, Cambridge, Cambridge University Press, ici p. 359, note 77 (https://archive.org/details/readingimagesnar0000lewi)

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