Bibliography

These bibliographical references have been processed and may include links to online versions.

• ALEXANDER, Jonathan J. G., MARROW, James H., SANDLER, Lucy Freeman (2005), The splendor of the word - Medieval and Renaissance illuminated manuscripts at the New York Public Library, London | New York, Harvey Miller | New York Public Library, ici n° 34 (https://archive.org/details/splendorofwordme0000alex)
• BERGERON-FOOTE, Ariane (2000-2001), "Les livres d'heures", Art & métiers du livre, 222 (décembre-janvier)
• BRINKMANN, Bodo (1992), "The Contribution of Simon Marmion to Books of Hours from Ghent and Bruges", dans KREN, Thomas (éd.), Margaret of York, Simon Marmion, and the 'Visions of Tondal', Malibu, The J. Paul Getty Museum, p. 181-194 (https://books.google.fr/books?id=sbRDAgAAQBAJ&pg=PA181, https://www.getty.edu/publications/virtuallibrary/0892362049.html)
• BRINKMANN, Bodo (1997), Die flämische Buchmalerei am Ende des Burgunderreichs : der Meister des Dresdener Gebetbuchs und die Miniaturisten seiner Zeit, Turnhout, Brepols (Ars Nova, 1), ici p. 156 n. 28
• EDWARDS, Anthony S. G. (éd.) (2002), Decoration and illustration in medieval English manuscripts, London, The British Library (English manuscript studies, 10), ici p. 198
• HAMBURGER, Jeffrey F. (1990), The Rothschild Canticles - Art and Mysticism in Flanders and the Rhineland circa 1300, New Haven | London, Yale University Press, ici p. 75 ; fig. 138 (https://archive.org/details/rothschildcantic0000hamb)
• HÉLIOT, Pierre (1934), "Les manuscrits illustrés de la bibliothèque de Boulogne", Bulletin du Comité flamand de France, n° 1, p. 189-221, ici p. 214-215 (https://gallica.bnf.fr/ark:/12148/bpt6k1211192t/f233)
• MICHELANT, Henri, GÉRARD, Adolphe (1872), Catalogue général des manuscrits des bibliothèques publiques des départements. Tome IV – Arras – Avranches – Boulogne, Paris, p. 563-699, ici p. 628-629 (https://archive.org/details/catalogue04fran/page/628)
• MORGAN, Nigel (2002), "Patrons and devotional images in English art of the international gothic c. 1350-1450", dans MUIR, Bernard J. (éd.), Reading texts and images. Essays in medieval and Renaissance art and patronage in honour of Margaret M. Manion, Exeter, University of Exeter Press, p. 93-121, ici p. 93... 95, 105
• NICHOLS, Ann Eljenholm (1994), Seeable Signs : The Iconography of the Seven Sacraments 1350-1544, Woodbridge, Boydell Press, ici p. 225 n.
• NICHOLS, Ann Eljenholm (2009), "'O Vernicle' : Illustrations of an 'Arma Christi' Poem", dans VILLALOBOS HENNESSY, Marlene (éd.), Tributes to Kathleen L. Scott. English medieval manuscripts : readers, makers and illuminators, London, Harvey Miller, p. 138-169, ici p. 138, 140, 145, 147, 150, 152, 153, 155-160, 163, 166, 167 (https://archive.org/details/tributestokathle0000unse)
• SCOTT, Kathleen L. (1996), Later Gothic Manuscripts, 1390-1490, London, Harvey Miller (A survey of manuscripts illuminated in the British Isles, 6)
• SCOTT, Kathleen L. (2002), "Four Early Fifteenth-Century English Manuscripts of the 'Speculum humanae salvationis' and a Fourteenth-Century Exemplar", dans EDWARDS, Anthony S. G. (éd.), Decoration and illustration in medieval English manuscripts, London, The British Library (English manuscript studies, 10), p. 177-203