Paris. Bibliothèque nationale de France, Département des manuscrits, Latin 3893

Digitisations

Participant

Provenance

Data Source: BnF Archives et manuscrits

  • Mazarinaeus

Bibliography

These bibliographical references have been processed and may include links to online versions.

  • ASSIRELLI, Marco (1996-1997), "'Averroes in Physicam' : il manoscritto San Marco 175 della Biblioteca Laurenziana. Appunti per una nuova lettura aristotelica della 'Tempesta' di Giorgione", dans CECCANTI, Melania (éd.), Il codice miniato laico : rapporto tra testo e immagine. Atti del IV Congresso di storia della Miniatura, Cortona 1992 (Rivista di storia della miniatura, 1-2, 1996-1997), p. 217-230, ici p. 219
  • BRADLEY, Catherine A. (éd.), DESMOND, Karen (éd.) (2018), The Montpellier codex, the final fascicle : contents, contexts, chronologies, Woodbridge | Suffolk (UK) | Rochester (NY), The Boydell Press (Studies in medieval and renaissance music, 16), ici p. 63 (https://doi.org/10.1017/9781787441828)
  • DAHAN, Gilbert (1990), Les intellectuels chrétiens et les juifs au Moyen Âge, Paris, Cerf, ici p. 130, 147, 150, 165, 167, 170
  • METZGER, Wolfgang (1994), Das Stundenbuch Rom, Biblioteca Vaticana, Ms. Pal. lat. 537 und verwandte Handschriften, Studien zur englischen Buchmalerei 1330-1370, Frankfurt am Main | Berlin | Bern etc., Peter Lang (Europäische Hochschulschriften, Reihe 28, 199), ici p. 299
  • MURANO, Giovanna (2005), Opere diffuse per 'exemplar' e pecia, Turnhout, Brepols (Textes et études du Moyen Âge, 29), ici n° 286-287 (https://doi.org/10.1484/M.TEMA-EB.5.107153)
  • ROUSE, Mary A., ROUSE, Richard H. (1991), Authentic witnesses : approaches to medieval texts and manuscripts, Notre Dame, Ind. (Publications in Medieval studies, 17), ici p. 276 (https://archive.org/details/authenticwitness0000mary)
  • ROUSE, Mary A., ROUSE, Richard H. (2006), "Context and reception : a crusading collection for Charles IV of France", dans BUSBY, Keith (éd.), KLEINHENZ, Christopher (éd.), Courtly arts and the art of courtliness : selected papers from the Eleventh Triennial Congress of the International courtly literature society, University of Wisconsin-Madison, 29 July-4 August 2004, Cambridge, D. S. Brewer, p. 105-178, ici p. 119
  • ROUSE, Richard H., ROUSE, Mary A. (2000), Manuscripts and their makers - Commercial book producers in Medieval Paris 1200-1500, London, Harvey Miller, ici t. II, p. 109, 138
  • SANDLER, Lucy Freeman (éd.) (1996), Omne bonum : a fourteenth-century encyclopedia of universal knowledge, London, Harvey Miller Publ., ici vol. I, p. 64
  • SCHMIDT, Gerhard (1975), "Materialien zur französischen Buchmalerei der Hochgotik I", Wiener Jahrbuch für Kunstgeschichte, 28, p. 159-170, ici p. 162, 166, 169 (notes) (https://doi.org/10.7767/wjk.1975.28.1.159)
  • SHERMAN, Claire Richter (1995), Imagining Aristotle : Verbal and Visual Representation in Fourteenth-Century France, Berkeley | Los Angeles | London, University of California Press, ici p. 391 (note n° 13) (http://ark.cdlib.org/ark:/13030/ft4m3nb2n4/)
  • SOETERMEER, Frank (1997), Utrumque ius in peciis : aspetti della produzione libraria a Bologna fra due e trecento, Milano, Giuffrè ed. (Orbis academicus, 7), ici p. 43
  • STONES, Alison (2013), Gothic Manuscripts c. 1260-1320, Part One, London, Harvey Miller (A survey of manuscripts illuminated in France, 3, 1), ici t. I, p. 57, 78
  • SUBBIONI, Marina (2003), La miniatura Perugina del Trecento : contributo alla storia della pittura in Umbria nel quattordicesimo secolo, Perugia, Guerra, ici p. 87 et ill. 68
  • WIRTH, Jean (éd.), MALAISE-ENGAMMARE, Isabelle (éd.) (2008), Les marges à drôleries des manuscrits gothiques (1250-1350), Genève, Droz (Matériaux pour l'histoire) (https://books.google.fr/books?id=jRgE3GtrT_UC)

Data sources