Point d'entrée sur le patrimoine écrit du Moyen Âge et de la Renaissance en Occident du VIIIe au XVIIIe siècle
Moteur de recherche de manuscrits et livres anciens numérisés et intéropérables
Plateforme collaborative de gestion de publication des données d'autorité Biblissima
Aide à la lecture et apprentissage des langues anciennes, outils et environnements de travail en XML
Service d’expertise autour des standards IIIF
Identifiant Biblissima+ : https://data.biblissima.fr/entity/Q210506
Certains Manifestes IIIF sont enrichis et peuvent contenir un index, une recherche plein texte, ou des annotations. Ils sont signalés ci-dessous par un astérisque au niveau du logo IIIF. Qu'est-ce qu'un Manifeste IIIF ? open_in_new
Manifeste IIIF
Numérisation intégrale
Source des données : Parker on the Web
Résumé : CCCC MS 10 contains a luxury copy of the Decretum (Concordia discordantium canonum), a canon law collection attributed to the twelfth century jurist Gratian (fl. c. 1150). It is one of a group of finely illustrated manuscripts of the text produced in northern France or southern England in the last quarter of the twelfth century. The various 'causae', the legal cases, have historiated and ornamental initials. There is also a full-page miniature of a man standing holding a consanguinity table. Its exact provenance and how it came to be in Parker's possession are unknown.
Contenu :
Langue(s) des textes : latin
Intervenants :
Gratian - author
1r-363r - Gratian, Decretum || Gratiani, Decretum
Note : (1r) Table of tituli
incipit : (1r) In prima parte agitur de iusticia
Note : A title has been erased, and one of cent. xvi inserted
rubric : (1r) Decretum abbreuiatum sigillatim cuncta attingens
Note : A fine initial I in gold and colour on blue
Note : (11r) Ends on Causa xxxvi
Note : (11v) blank
Note : (12r) Text begins. At the top a xvith cent, title Concordantia discordancium Canonum, written over erasure
incipit : (12r) Humanum genus duobus regitur
Note : There is a splendid initial mostly in blue and vermilion on gold: it contains the small white lions which often mark the work of Christ Church, Canterbury. The whole is edged with green. Smaller initials alternately blue and red. Each Causa has a fine initial; some are decorative, some figured. The latter shall be specified
Note : (25v) Opposite a sentence about the bad pronunciation of readers, is a sketch (xiv?) of a monk's head: with book on desk, inscribed In principio erat verbum etc.
Note : (92r) Causa I Abbot in purple with crosier, throned on L. Bearded man on R. presents a small boy in red tunic and a bowl full of silver : gold ground
Note : (113r) Causa II
Note : (130v) Causa III
Note : (138r) Causa IV
Note : (140r) Causa V
Note : (142v) Causa VI Bishop in white seated between two litigants
Note : (145v) Causa VII Bishop in bed, hand to face: another bishop (a substitute) bends over him, two men at head and foot weep
Note : (152r) Causa VIII (Medallions of beasts)
Note : (154v) Causa IX
Note : (157r) Causa X
Note : (160v) Causa XI
Note : (171v) Causa XII
Note : (181r) Causa XIII In C. two men one with sheaf, the other with lamb. On R. and on L. four tonsured clerics, two and two, those on R. hold out hands to receive offerings, those on L. point back to L. The men in C. have been driven from their old diocese and moved to another, but still cultivate their old lands. Tithes are claimed by both churches
Note : (185r) Causa XIV
Note : (187v) Causa XV A tonsured man in short tunic smites one on R. on the head with a club: a woman stands with arms out in consternation
Note : (192r) Causa XVI Abbot in purple habit with crosier seated, under architecture: lamp hangs above: two monks behind him. Two secular clerics seated on L. argue
Note : (204v) Causa XVII
Note : (208r) Causa XVIII
Note : (210v) Causa XIX
Note : (212r) Causa XX Abbot with crosier throned on R. On L. kneel two tonsured boys, one in blue cowl (a willing novice), the other looking back at his father on L. (unwilling)
Note : (214r) Causa XXI
Note : (216r) Causa XXII
Note : (224r) Causa XXIII
Note : (246r) Causa XXIV
Note : (257r) Causa XXV
Note : (261r) Causa XXVI
Note : (268r) Causa XXVII A maiden in red in C. (who has vowed not to marry, and repented). A youth on R. holding sword puts his arms round her neck to lead her away. A bearded man (former betrothed) on L. protests, holding her hand
Note : (275r) Causa XXVIII
Note : (279r) Causa XXIX
Note : (280r) Causa XXX
Note : (283v) Causa XXXI. Man and woman on R. embrace. Man in C. lays hands on woman and looks back at older man on L. (a daughter promised by her father to one, and given to another)
Note : (285r) Causa XXXII
Note : (294r) Causa XXXIII
Note : (325v) Causa XXXIV
Note : (326v) Causa XXXV Above a man at table, a woman in blue on L. (his wife) hands him a dish. Below two men lay a shrouded corpse (the first wife) in the grave. A cross in C. All the figures are half-length
Note : (330v) A full-page painting of a man with white beard and hair in purple-grey robe over white, red hose, and black shoes, both patterned: on patterned blue ground: coloured frame. In front of his body is a tree of affinity formed of (blank) white medallions set in a gold frame
Note : (333v) Causa XXXVI Above, youth and maid at table, servants on R. and in front. Below, youth and maid in bed
Note : (335r) Ultima pars
Note : Ends
explicit : (363r) a nisi quod uiderit patrem facientem
Note : (363r) Three quarters of the leaf is cut away
Exports RDF à venir…
Vous pouvez visualiser et manipuler ce document directement sur ce site, le comparer à d'autres grâce au visualiseur Mirador, ou glisser-déposer cette icône dans le visualiseur IIIF de votre choix. En savoir plus sur IIIF Ce Manifeste est enrichi et inclut : - des annotations - une recherche plein texte - un index