Bruges. Bibliothèque publique, Ms. 54

  • Titre attesté :
    • Postille magistri Nycolai de Lyra ordinis fratrum minorum super quatuor Ewangelia
  • Autre libellé du document :
    • Bruges Public Library, Ms. 054
    • Bruges. Bibliothèque publique, Ms. 54
    • Brugge. Hoofdbibliotheek Biekorf, Ms. 54
    • Brugge. Openbare Bibliotheek, Ms. 54
  • Conservé à : Bruges. Bibliothèque publique
  • Langues : latin
  • Auteur : Nicolas de Lyre (1270?-1340?)
  • Date de fabrication :
  • Lieu de fabrication :
  • Écriture :
    • gotische semi-hybrida
  • Support : Perkament
  • Composition :
    • 298 ff.
  • Dimensions :
    • 30 x 21 cm

Numérisations

Manifeste IIIF

Présentation du contenu

Source des données : Mmmonk

  • This manuscript contains the postillae of Nicholas of Lyra on the four Gospels. Lyra (c. 1270-1349) was a Franciscan friar from Normandy who in 1319 was appointed head of all the Franciscans in France. His magnum opus, the Postillae perpetuae in universam S. Scripturam, was a commentary on the entire Bible that was highly authoritative during the Middle Ages and the 16th century. The production of the manuscript is very well recorded. The colophon states that the manuscript was written in Bruges and commissioned by Andreas Bootsaert, cellerarius of the Ter Doest abbey. Work on the manuscript commenced on April 30th 1450. The postilla on Matthew (ff. 1r-101r) was finished on June 26th. The much smaller commentary on Mark (ff. 101r-125r) was finished sometime later, followed by Luke (ff. 125r-184r) on August 6th, and finally the largest, the postilla on John (ff. 184r-298v), was finished on October 13th 1450. The explicit of Mark is incomplete; it only mentions that it was finished on a Saturday. Given the writing speed in Matthew and John (roughly 7 folia every 4 days), the writing of Mark probably took two weeks, finishing on Saturday, July 10th 1450. The manuscript is the work of multiple scribes, writing in a swift but neat cursive. The layout is basic: two columns (lineation in ink), with red ink being used for chapter heads, initials, rubrics, incipits and explicits, paragraph marks, and Bible phrases. The first initial is more elaborate, written in blue ink with decorations in red. The similarities between the scribal hands, the simplicity of the decorations and use of colour, and the reference to Bruges as its place of origin all suggest that this manuscript was produced by a professional workshop. [Summary by Dr. Mark Vermeer]

Intervenants

Anciens possesseurs

Anciennement dans

Notes

Source des données : Biblissima

  • Online catalogue description by Dr. Mark Vermeer. Online catalogusbeschrijving door Dr. Mark Vermeer.
  • Online catalogue description by Dr. Evelien Hauwaerts (Public Library Bruges). Online catalogusbeschrijving door Dr. Evelien Hauwaerts (Openbare Bibliotheek Brugge)

Source des données : Mmmonk

  • Bevat commentaar op de vier Evangeliën

Bibliographie

Ces références bibliographiques ont fait l'objet d'un traitement et disposent le cas échéant de liens vers des versions en ligne.

  • DE POORTER, Alphonse (1934), Catalogue des manuscrits de la bibliothèque publique de la ville de Bruges, Gembloux | Paris, Duculot | Les Belles Lettres (Catalogue général des manuscrits des bibliothèques de Belgique, 2), ici p. 72-73 (https://bibmedia.brugge.be/HF_images/DePoorter/CatalogusDePoorter_Compressed.pdf)
  • ISAAC, Marie-Thérèse (1984), Les Livres manuscrits de l'abbaye des Dunes d'après le catalogue du XVIIe siècle, Aubel, P. M. Gason (Livre - Idées - Société 4)
  • VAN BELLEGHEM, Doenja (éd.) (2016), De Duinenhandschriften : over de manuscripten van de cisterciënzerabdij Ten Duinen in het Grootseminarie Brugge en de Openbare bibliotheek Brugge, Brugge, Openbare Bibliotheek

Vie du document

Sources des données